1
00:00:36,953 --> 00:00:40,957
The more you fight, the quicker the drugs will kick in.

2
00:00:48,048 --> 00:00:51,593
First, you lose your ability to blink and speak.

3
00:00:56,222 --> 00:00:58,641
Then you won't be able to move at all.

4
00:01:10,403 --> 00:01:12,781
I'm gonna start with your face.

5
00:01:30,507 --> 00:01:31,674
Are you sneaking out?

6
00:01:35,011 --> 00:01:38,056
I was trying not to wake you. [chuckles]

7
00:01:39,599 --> 00:01:42,685
I wanna know everything about you. Oh, yeah?

8
00:01:42,769 --> 00:01:46,689
Mm-hmm. Favorite dessert?

9
00:01:46,773 --> 00:01:50,527
[chuckles] What do you think of those driverless cars?

10
00:01:50,610 --> 00:01:55,573
Mm, not for me, and pistachio-- not in that order.

11
00:01:58,368 --> 00:02:00,537
How you got this scar?

12
00:02:00,578 --> 00:02:10,880
Yeah, that's-- that's for another day. Stuff I'm not ready to scare you with yet. [sighs] Hey.

13
00:02:12,090 --> 00:02:16,094
People call me in the worst moments of their lives every day. All right?

14
00:02:16,177 --> 00:02:18,471
I can handle it. OK.

15
00:02:20,140 --> 00:02:24,644
[sighs] Maybe you're the one that's scared.

16
00:02:28,481 --> 00:02:30,942
Damn. Is everything OK?

17
00:02:31,025 --> 00:02:32,735
I gotta go.

18
00:02:37,782 --> 00:02:47,417
Hey. What do we know? Well, not much. Postal Service employee found by a groundskeeper at 5:00 AM this morning. That's a crappy way to start a shift. Right?

19
00:02:47,500 --> 00:02:58,761
Mosbach's ready to fill us in. He says he's never seen anything like it. Hey. Hey. Vic's prints came back to Vanessa Walker. Prelim paints a pretty dark picture for the way she spent her last 24 hours.

20
00:03:01,347 --> 00:03:09,689
That's got to be hundreds of cuts. More like a thousand. Poor girl. She bled out. What's her timeline?

21
00:03:09,772 --> 00:03:20,491
Figure she succumbed to her injuries less than 12 hours ago. Based on lack of blood at the scene, ligature marks on her wrists and ankles, I'm thinking, what, Vanessa was held, tortured, and killed elsewhere?

22
00:03:20,575 --> 00:03:21,618
What do you think, Maggie?

23
00:03:21,701 --> 00:03:30,710
Body dump? Yeah. Look at her hands and feet. Yeah. It's the only part of her that's pristine and untouched. Right, so why go through all the trouble of marking her body just to leave her prints?

24
00:03:30,793 --> 00:03:38,259
You're thinking our killer wanted us to ID her. And find her. Why else would he leave her in the most popular park in the city?

25
00:03:41,804 --> 00:03:45,308
This isn't a dump site. This is a demonstration. For who?

26
00:03:45,391 --> 00:03:48,311
There's no witnesses. There's one.

27
00:03:52,315 --> 00:03:59,489
Yeah. OK, eyes up, people! The city is on high alert and for good reason. Meet Vanessa Walker's killer.

28
00:04:01,074 --> 00:04:06,829
He's wearing a hoodie, but maybe we'll get lucky and he'll give us a glimpse of his face. Here we go.

29
00:04:08,248 --> 00:04:34,274
Staring us down like he's daring us to catch him. Let's accept his challenge, huh? I'm guessing he didn't give us a look at his face on any of the park's other security cameras, yeah? No, this is the only footage we have of him, taken around 3:00 AM when he dumped Vanessa's body. Yeah, clearly no face rec, but height diagnostics place the suspect at 6'4". Yeah, big guy. All right, so with no other visual, we'll have to turn to Vanessa's side of the equation. According to the ME, it was death by a thousand cuts, right?

30
00:04:34,357 --> 00:04:38,736
That is not an accident. That is a message. The question is, what is it trying to convey?

31
00:04:38,820 --> 00:04:41,406
So does Vanessa have any enemies?

32
00:04:41,489 --> 00:05:11,561
An ex, a relative? Let's talk about her. Yeah, I took a deep dive into her profile. She was not just a postal worker. She was VP of Human Resources. Last month, she cut just over a thousand jobs in DC. So it could be poetic justice or our killer's version of it-- a thousand jobs, a thousand cuts. She lives in New York and travels back and forth. But she should be in DC right now. Yeah? What was she doing here? Her office said she requested to leave a day early, surprise her husband for their anniversary, but no charges on her cards to indicate how she got here. So maybe she paid cash to travel?

33
00:05:11,602 --> 00:05:17,442
Right. All right, so back to the disgruntled employees. If our killer is one of the guys she let go of, how do we identify him?

34
00:05:17,525 --> 00:05:30,079
Uh, yeah, I'll get a list of employees Vanessa laid off at the Department of Labor, see if any of them are a height match to our killer. Exactly, great. In the meantime, Maggie and Scola are on their way to notify the husband. Hopefully, he can help us narrow down this list of suspects.

35
00:05:31,622 --> 00:05:38,588
I didn't know that she was in the city. I don't understand. She was not supposed to be back until tomorrow. She was gonna surprise you.

36
00:05:39,839 --> 00:05:53,519
I was in surgery all night. I should have called out. I knew something was gonna happen. She told me not to worry. I warned NYPD about him, and they wouldn't listen to me. Hold--hold on. Slow down for me, Peter. You warned NYPD about who?

37
00:05:53,603 --> 00:06:05,156
Mack Fuller. I told them all about him. We weren't made aware of that. He's been harassing us for weeks. A lunatic-- he's convinced Vanessa killed his brother. Why would he believe that?

38
00:06:05,239 --> 00:06:09,744
I told the cops this already. OK. Do you mind telling us?

39
00:06:12,789 --> 00:06:23,383
Vanessa laid off Mack's brother about a month ago. He took his own life. Vanessa felt awful. The worst part about her job is layoffs.

40
00:06:25,009 --> 00:06:33,476
Mack wouldn't let her forget it, harassing her for weeks, phone calls in the middle of the night, threats. When was the last time you received a threat?

41
00:06:33,518 --> 00:06:38,064
Last night. Guy drove all the way from DC to confront her.

42
00:06:39,649 --> 00:06:49,158
Here. See for yourself. You open up! I'm not leaving until you do! Open up!

43
00:06:51,911 --> 00:06:53,329
Ah!

44
00:06:54,831 --> 00:06:56,416
That look familiar?

45
00:06:58,084 --> 00:07:02,171
God. What am I gonna tell my daughter?

46
00:07:08,219 --> 00:07:09,846
Are you sure this is the right location?

47
00:07:09,929 --> 00:07:15,309
JOC confirmed Fuller just bought a coffee here. Who kills somebody and then buys a coffee?

48
00:07:15,351 --> 00:07:24,861
Someone who's proud of his work. Morning. FBI. I have a couple questions for you. Scola, I think that's him on the bench. Oh, yeah.

49
00:07:29,282 --> 00:07:33,202
All right, this could get nasty if he resists. It's gonna be up to him. You wanna go deep?

50
00:07:33,244 --> 00:07:34,203
Yep.

51
00:07:38,458 --> 00:07:42,378
Guys, you need to leave. Mack Fuller.

52
00:07:44,213 --> 00:07:45,339
FBI.

53
00:08:01,522 --> 00:08:03,232
Is this about Vanessa Walker?

54
00:08:03,316 --> 00:08:04,525
Yes.

55
00:08:13,034 --> 00:08:14,410
Hands behind your back.

56
00:08:15,995 --> 00:08:17,455
Let's go.

57
00:08:20,041 --> 00:08:28,758
I know why I'm here. 'Cause I--I visited the Walker residence. I'm glad we're on the same page. You wanna tell us why you were there?

58
00:08:28,799 --> 00:08:36,097
I was-- I was just angry. I was blowing off some steam. I shouldn't have done that. You always drive 4 1/2 hours to blow off steam?

59
00:08:36,182 --> 00:08:42,438
Just wanted a face-to-face after my brother, he-- he shot himself.

60
00:08:43,773 --> 00:08:52,823
Look, I never heard one word from her. She put out that BS press release about how sorry she was, and that was it. OK, so you wanted some payback. What happened to your hands?

61
00:08:52,907 --> 00:08:57,620
I wish I remembered, but look, I swear, you guys got it all wrong. I don't think we do.

62
00:09:00,665 --> 00:09:07,129
That's you at Vanessa's house. And we've seen that posture before. That's not me. No?

63
00:09:07,171 --> 00:09:09,465
No. So what happened to your hands?

64
00:09:09,549 --> 00:09:26,482
I told you, I don't remember! Hey, listen to me. "I don't remember" is not gonna help you in here. Look, you have it all wrong. Last night, she never came home. So I--I walked to a bar and started knocking 'em back. What bar?

65
00:09:26,524 --> 00:09:27,567
What?

66
00:09:27,650 --> 00:09:43,499
I don't--I don't know. It couldn't have been far-- a couple blocks away-- 'cause the next thing I know, I'm waking up on a bench in Central Park this morning. Yeah, the same park that Vanessa was found in, cut from head to toe. Look, I-I didn't do this! No, you don't remember doing this because you were blacked out, correct?

67
00:09:43,583 --> 00:09:55,136
No! Well, yes, I was blacked out, but I don't remember what happened-- Then it's possible that you doubled back to Vanessa after the bar. I am telling you, I am not a killer.

68
00:09:58,139 --> 00:10:08,941
All right, tell me the blood on Fuller's shirt is a match for our victim. Negative--it was a match for Fuller himself. OK, so guy gets fall-down drunk. Maybe he fell down. But that still doesn't explain the knuckles, right?

69
00:10:09,025 --> 00:10:19,869
No, but this does. I tracked down the bar by Vanessa's house Fuller claimed he went to. Exterior bar surveillance shows him in a fight with another patron just before close, which is at 3:00 AM.

70
00:10:24,915 --> 00:10:36,052
So this dude knocked Mack Fuller out right around the time our killer dumped Vanessa's body. OK, so Vanessa has no shortage of enemies, right? Could this be a case of right motive, wrong suspect?

71
00:10:36,135 --> 00:10:45,478
I went through the list of layoffs. Including Fuller, 30 of them match the height of our killer, but only Fuller was in New York at the time of Vanessa's murder. [phone ringing] Yes?

72
00:10:45,561 --> 00:10:53,027
Right. So we could have the wrong suspect pool, which would put us back to square one. Great. Jubal, someone's here from "The New York Times."

73
00:10:55,529 --> 00:11:11,921
Hey. Hi. Emily Stanton, deputy managing editor. Jubal Valentine. Thanks--thanks for coming down. I'm just sorry we didn't catch this sooner. Our mailroom gets all sorts of aberrant communication-- always has. They didn't flag this at first, but--

74
00:11:13,756 --> 00:11:19,595
well, see for yourself. It should be in your inbox now. OK. Yeah, you wanna... Yeah. Throw it up here?

75
00:11:22,765 --> 00:11:32,441
OK. "Hi. "In two days, you're gonna find a woman "I cut up under an arch. "I had fun, gonna have a lot more. Can you guess where I put the next?" When did you receive this?

76
00:11:32,525 --> 00:11:34,694
Two days ago. What is that?

77
00:11:34,777 --> 00:11:36,278
This is the original.

78
00:11:39,824 --> 00:11:43,744
OK, I want this sent to graphology, processed for prints and DNA immediately.

79
00:11:46,664 --> 00:11:48,457
Thank you for coming down.

80
00:11:57,258 --> 00:12:09,145
All right, folks, check it out. Vanessa Walker's killer is implying she was not his last victim, which means we could be witnessing a serial in the making. Let's make sure that wheel doesn't spin any further. Where are we with the graphology report?

81
00:12:09,228 --> 00:12:18,779
They're cross-referencing the killer's handwriting with DMV signatures-- no match so far. No prints or DNA either. All we know is the note was written on butcher paper. On butcher pap-- OK, any yarn to spin with that?

82
00:12:18,863 --> 00:12:24,410
No luck in narrowing it down. How are we doing with solving the killer's riddle of where he put the next victim?

83
00:12:24,493 --> 00:12:27,580
Still working on it. "Can you guess where I put the next?

84
00:12:27,621 --> 00:12:32,752
"You won't have to wonder for long. She will be in a room made for stares." S-T-A-R-E-S. So what is that? A theater?

85
00:12:32,835 --> 00:12:34,712
A concert hall? An auditorium?

86
00:12:34,754 --> 00:12:39,550
No shortage of options in the five boroughs. Yeah. We need more information.

87
00:12:41,635 --> 00:12:42,678
Wait, what is this?

88
00:12:42,762 --> 00:12:54,607
Is this--something's written on the back. Do we have that? Uh, yeah. Forensics sent over scans of both sides. One side is the killer's letter. Other side is this pattern of arrows. Uh-huh. OK, any idea what the pattern is?

89
00:12:54,648 --> 00:13:03,199
I think I do. It's some kind of cipher. Have you tried folding it? Yeah, like along these arrows on the outside or something?

90
00:13:03,282 --> 00:13:04,617
Mm-hmm, mm-hmm.

91
00:13:08,412 --> 00:13:13,083
Yeah, something like-- or maybe-- Yeah, yeah, I got it. Yeah? OK.

92
00:13:17,213 --> 00:13:18,964
Yeah, yeah! OK. Yeah, what is that?

93
00:13:19,048 --> 00:13:33,145
Wait, that's the symbol for the goddess Athena-- or Minerva. OK, so--so we got some kind of theater and-- Wait. There's an arthouse cinema in the village named Minerva, only open on weekends. OK, I want SWAT and our team there now.

94
00:14:14,353 --> 00:14:17,481
Theater 1 is clear. Meet me in theater 3.

95
00:14:25,906 --> 00:14:27,283
Ma'am?

96
00:14:27,366 --> 00:14:28,826
FBI.

97
00:14:32,371 --> 00:14:37,877
Oh, my God. Jubal, we just found our second victim. We need ERT down here now.

98
00:14:47,970 --> 00:14:50,055
Is that what I think it is?

99
00:14:50,139 --> 00:14:52,516
Yeah, we got another letter.

100
00:14:58,272 --> 00:15:10,576
All right, folks, so we have our second victim, Laura Flemming. Jubal, according to the ME report, based on Laura Flemming's decomposition, her body was in the theater for two days. She was placed there before Vanessa Walker. OK. Is there any connection between our two victims?

101
00:15:10,659 --> 00:15:35,559
Nothing besides race. And Laura doesn't even live in the city. According to her parents, she was up visiting from Philadelphia. So this could be a case of wrong place, wrong time. That means any woman in the city could be in danger. Well, I've been going over the letter we found on Laura, trying to see where it points. Right. OK, so, "Hi. You found me. Good work. "I hope you're having fun too, "because this is only the beginning. "I do this so they won't forget. Where will I leave my next reminder?"

102
00:15:37,519 --> 00:16:09,635
I don't know about you, but I'm getting sick of this guy telling me where to look. We're trying to find him, our killer. All these little riddles are gonna do is lead us to the next dead body. All right, we need to go back over everything. This guy thinks he's pretty damn clever, and that's good. Overconfidence creates blind spots. All these breadcrumbs he's dropping, there's got to be one he did not intend to drop, a clue he didn't mean to leave. That is what we're looking for. Uh, yeah, got something. So this second letter, it's also written on butcher's paper. But this time, there's a blind stamp in the corner. That is a logo for a butcher shop in Carroll Gardens.

103
00:16:17,851 --> 00:16:19,478
Hello?

104
00:16:28,153 --> 00:16:29,780
FBI!

105
00:16:34,159 --> 00:16:40,666
FBI! Put down the knife now! Whoa, whoa, whoa, whoa, whoa. Hands! Show me your hands. I'm just working here. I'm just working.

106
00:16:44,211 --> 00:16:56,682
Thanks. All right, Barrett. Alibi checks out. Boss confirmed that you were working at the time of both murders. Like I said. Well, butcher paper that we came across in our investigation led us to this shop. So do you keep a record of everyone you sell to?

107
00:16:56,765 --> 00:17:03,897
This isn't a big operation. The boss is old school. We encourage people to buy in cash. OK, any customers that stick out lately?

108
00:17:03,981 --> 00:17:11,155
We're looking for a male, 6'4", heavy build. You mean Wesley Cookler. He's a freak, man. Got two different-colored eyes.

109
00:17:12,698 --> 00:17:13,866
What now?

110
00:17:13,906 --> 00:17:18,871
One's blue. The other one is-- I don't know--it's different. OK. He's a customer here?

111
00:17:18,954 --> 00:17:24,960
No, man. No, he used to be an employee here. He worked here for a couple months. He's no longer welcome. Why not?

112
00:17:25,044 --> 00:17:43,729
Gives off bad energy. First, he was quiet. And then he started asking questions, weird crap like if, you know, I ever thought about using one of these knives on a person. He'd get this weird look in his eye when he was talking all this craziness. Anyways, the boss told me to let him go last week. Still waiting for him to clean out his locker. You guys can check it out if you want.

113
00:17:59,828 --> 00:18:02,039
I know what this is about.

114
00:18:13,759 --> 00:18:20,432
JOC ran the name Wesley Cookler-- no hits. Definitely using a fake. Which means this is our only hope.

115
00:18:21,934 --> 00:18:23,560
You really think he's gonna help?

116
00:18:23,644 --> 00:18:28,273
Maybe if I talk to him alone. Do you mind waiting outside the room?

117
00:18:28,357 --> 00:18:39,118
Um, I'd like to be with you. Well, I understand that, but this is best shot. Hey. Why do you think he's gonna help you after you've already locked this guy up twice?

118
00:18:39,201 --> 00:18:41,245
Because I have something he wants.

119
00:19:06,687 --> 00:19:13,569
Special Agent Maggie Bell. Ray. What are you doing here?

120
00:19:13,652 --> 00:19:18,115
Drop the act. What act?

121
00:19:18,198 --> 00:19:20,325
Who'd you put to work out there?

122
00:19:22,619 --> 00:19:26,248
Who is out there cutting up girls?

123
00:19:26,331 --> 00:19:27,666
Who are they?

124
00:19:27,749 --> 00:19:29,001
How long have you been in touch with him?

125
00:19:29,042 --> 00:19:30,210
And where is he right now?

126
00:19:30,294 --> 00:19:48,312
I have no idea what you're talking about. But I'm not inclined to help you after you put me in here with rapists and murderers. You're exactly where you belong. No, you don't mean that, Maggie. You know what I really am. I haven't thought about you one time until today.

127
00:19:49,938 --> 00:19:54,943
Now, tell me who you're collaborating with. I'm not working with anybody. Look, you really think I'm gonna believe that?

128
00:19:55,027 --> 00:20:02,534
That's the truth! You do with it what you want. Best of luck to you. I'm done here. Take me back. Are you sure about that?

129
00:20:05,329 --> 00:20:06,788
You don't wanna take a look at the pictures?

130
00:20:06,872 --> 00:20:08,332
See what he's doing?

131
00:20:12,753 --> 00:20:15,589
Well, I mean, since you offered... Take a peek.

132
00:20:16,715 --> 00:20:24,181
Let's see what your man has been up to. He's been communicating with us through these letters.

133
00:20:30,187 --> 00:20:33,523
I'm not interested in riddles, Maggie.

134
00:20:36,068 --> 00:20:38,195
Show me the real work.

135
00:20:47,663 --> 00:20:52,834
No. No, no, no, no, no, no! He's ruining them.

136
00:20:56,255 --> 00:21:02,094
Wow. You really don't have a clue, do you?

137
00:21:10,644 --> 00:21:12,521
You need my help.

138
00:21:14,690 --> 00:21:21,989
Say it. Well, I'm here, Ray. So yes, we need your help. We? The FBI?

139
00:21:22,072 --> 00:21:29,288
I don't care about them. You, Maggie, you need me.

140
00:21:33,375 --> 00:21:35,794
Say it.

141
00:21:37,879 --> 00:21:45,387
I need your help. [sighs] Yeah, you do. You really don't see it, do you?

142
00:21:45,470 --> 00:22:08,493
It's so obvious once you see the pattern. He's marking them, just like I did. Sandra Aiden, your first victim. There you go. She put me on the map. Every woman in New York couldn't walk down the street without looking over their shoulder, wondering if they were next. I remember that. Yeah. So who are you working with?

143
00:22:08,577 --> 00:22:42,736
Oh, Maggie. This isn't gonna work unless there's trust between us. You're not answering my questions. I'm trying to. You're not listening to me. I don't know who did this. What I know is this... amateur is out there, and he's making a mess of these girls. He is copying you. Yes, of course. Look at the marks. Look at their faces. That's exactly how I marked Sandra. And then he adds his embellishments.

144
00:22:44,446 --> 00:22:57,709
And then he does the most awful thing. He kills them. Such a waste, all that hard work buried in the ground where no one can see it. Well, I'm gonna make sure there's nobody else to bury.

145
00:23:02,464 --> 00:23:08,178
Excuse me. Does Ray DiStefano get any regular visitors or mail?

146
00:23:08,929 --> 00:23:24,861
Guy only gets mail from his father. He's got health issues, apparently. Put in for furlough, but was denied by the board. Thank you. All right, so he's not in contact with our killer. So he has a copycat. Copycat who escalated to murder. Right.

147
00:23:29,574 --> 00:24:28,467
Cuts line up perfectly. [sighs] Yeah. So it looks like DiStefano was right. Our killer was copying the slashing that kicked off DiStefano's violent spree 17 years ago. The victim was Sandra Aiden. The key difference is DiStefano never killed his victims. So we're dealing with a different animal here. Yeah, BAU sent up their profile. According to their psych eval, he feels neglected in his day-to-day life. He's seeking the same attention, notoriety DiStefano garnered from that case. Well, that tracks. The Sandra Aiden case got a lot of play in the press. Mayor had to address it. Women afraid to take the subway, walk home alone. Right, and he probably thought he'd gain even more notoriety by upping the ante, not just by escalating to murder, but by taunting the media. Well, the timing suggests he was recently ignited. Right after Maggie put DiStefano away again, "The Times" did a piece about DiStefano's original spree, calling it "an era of terror." I think it's very likely why the killer wrote to them specifically. Right. So if we don't stop him, it makes sense that he'll keep recreating Sandra's assault over and over again. Do we know where Sandra is now?

148
00:24:28,550 --> 00:24:43,231
She moved to Oregon after the attack. Local PD checked in. She's safe. All right, so the clock is ticking. DiStefano's clue is a lead. You know, if the killer is fixated on Sandra and that assault, let's talk about other details from that crime that he might be interested in mimicking. What else do we know?

149
00:24:43,315 --> 00:25:10,050
According to Sandra Aiden's case file, 17 years ago, DiStefano grabbed her from Port Authority at 3:13 PM. Did we ever figure out how Vanessa got from DC to New York? Yes. Port Authority surveillance caught Vanessa Walker in the terminal at, yeah, 3:00 PM on the day she returned to New York. Cameras lose her when she exits. This was Vanessa's last-known whereabouts. And it's the same place and time that DiStefano grabbed Sandra Aiden. That cannot be a coincidence. What about Laura Flemming?

150
00:25:10,133 --> 00:25:19,392
I'm checking her financials. She bought a ticket for a bus that arrived at Port Authority the day before Vanessa's, but her bus got in around the same time, 3:00 PM. You're telling me both our victims have the same last-known whereabouts?

151
00:25:19,476 --> 00:25:40,372
Yeah, that's exactly what I'm saying. OK, so our killer is grabbing women at 3:00 PM at Port Authority, just like DiStefano did all those years ago. And he's on the same timeline. At the height of DiStefano's spree, he slashed a woman a day. [sighs] All right, looks like we have just enough time to get down there. I want our teams down to Port Authority. I want eyes in that station. Any woman arriving could be our next victim.

152
00:25:54,553 --> 00:26:08,441
Got eyes up on the bus from DC. Keep your eyes peeled for a suspect with two different-color eyes, 6'4", white, heavy build. A lot of potential female targets. They're spreading to the wind. I mean, the suspect could be anywhere.

153
00:26:12,404 --> 00:26:14,781
All right, bus is clear. I'm heading back inside.

154
00:26:23,373 --> 00:26:30,463
Not easy to be looking for a guy with two different-colored eyes without seeming like you want a date. Come on, Scola. You're telling me you don't know how to flirt?

155
00:26:32,215 --> 00:26:34,009
Jubal. Yeah?

156
00:26:35,051 --> 00:26:44,978
Got one? OK. We got a 3:17 arriving from Boston, gate 10. OK, I'm on my way. 3:20 from Philadelphia, gate 12. Copy.

157
00:26:51,109 --> 00:26:59,826
Yeah, I don't know, guys. Something's not making sense to me here. Why is our killer grabbing these women in broad daylight in the middle of a crowded station?

158
00:26:59,909 --> 00:27:17,344
He's right. Too many eyewitnesses. It'd draw too much attention. Maybe he's following them out, stalking them and taking them when they're alone. Yeah, yeah, yeah. Get me the outside cameras up on the board, please. All right. I got your eyes. Let us know if you see anything. OK, nothing yet.

159
00:27:21,473 --> 00:27:23,016
Hey, where is that?

160
00:27:23,099 --> 00:27:29,397
Taxi stand, upper level. Zoom in. Are those two different color eyes?

161
00:27:29,481 --> 00:27:40,867
Looks like it. Brown and blue. OK, Maggie, our suspect already has his next victim. Get to the taxi stand, upper level. We're running facial rec on both right now. FBI! Move! Kelly, you get the IDs yet?

162
00:27:40,950 --> 00:27:47,207
Can't get a hit on facial rec. Hoodie's in the way. But the vic comes back to Melody Walton, 22, from Boston.

163
00:27:49,084 --> 00:27:51,711
Thank you. Jubal, what's their location?

164
00:27:51,753 --> 00:27:54,589
We lost track of them, Maggie. We're searching the cameras.

165
00:27:57,842 --> 00:27:59,594
OK, where'd they go? We just had them, right?

166
00:27:59,678 --> 00:28:13,024
There are blind spots across the pickup line until you get to the exit. That means you could have passed them in the car. We need to stop every cab. OK, I got the back. Move! Move! Hey! Hey! Stop the car!

167
00:28:16,111 --> 00:28:24,786
Open the door! Come on! All right. Open the door. Take off your glasses now.

168
00:28:25,829 --> 00:28:32,419
Hey! Hello? Excuse me. [speaking non-English language] [tires squealing] [horn honks]

169
00:28:33,712 --> 00:28:41,553
Maggie, somebody just jumped out of line. Yeah. I see him. I can't make out his face. Hey, FBI! Slow down! Stop the car!

170
00:28:44,681 --> 00:28:52,439
Get out of the car! FBI! Get out of the car now! [tires squealing] FBI! I said, get out!

171
00:28:54,524 --> 00:29:08,955
Jubal, we just saw him. License plate 8-6, Zebra, 5. Run it. Got him. Daryl Lee Ricklan, 37, registered taxi driver for five years. He's got a rap sheet, bounces from detainment to psychiatric care. You got an address for him?

172
00:29:09,038 --> 00:29:15,670
Yes, in Tremont. OK, Maggie, Scola, suspect may be headed to the Bronx, and so are you. [banging] FBI!

173
00:29:21,217 --> 00:29:22,552
Scola?

174
00:29:22,635 --> 00:29:25,513
Nobody here. Place is empty.

175
00:29:28,057 --> 00:29:35,523
Jubal. OK, Maggie, give me some good news. I don't have any. Ricklan's place has been cleared out. Nothing to indicate where he might have taken Melody Walton?

176
00:29:35,607 --> 00:29:37,192
Nothing.

177
00:29:38,610 --> 00:29:43,323
I might have to go back to DiStefano. Wait, why? You think he'll help us?

178
00:29:43,364 --> 00:29:52,916
His father's sick. So maybe I can get his furlough, and he'll cooperate. Well, no. His father just died, so you have nothing to offer him. What?

179
00:29:52,999 --> 00:29:57,754
He died in his hospice facility. Sorry, Jubal, does-- does DiStefano know that his father passed?

180
00:29:57,837 --> 00:30:02,884
No, he hasn't been informed yet. Can--can you hold off on that?

181
00:30:02,967 --> 00:30:05,678
I think I can make this work. Copy that.

182
00:30:07,472 --> 00:30:11,476
There's only one reason you're here. You didn't find him.

183
00:30:14,896 --> 00:30:19,442
No. You found him, and he got away. He did. You see?

184
00:30:19,526 --> 00:30:21,861
Honesty, Maggie. See how easy that is?

185
00:30:21,945 --> 00:30:26,074
OK, you're right. I need your help still. Boring. What's boring?

186
00:30:26,157 --> 00:30:56,563
Playing cops and robbers with you. Ignoring the fact that you and I are so much more than that. I'm here to cut a deal with you for your assistance. Whatever you think we have, the relationship you've made up, that is in your head. No, you can keep pretending. Look, I don't have time for this. Just keep pretending. You can lock it away. You can shut the door. But eventually, Maggie, the door is gonna burst open, and you are gonna lose control. I know your father's sick.

187
00:30:58,147 --> 00:31:01,609
And I know that your furlough was denied. I can change that.

188
00:31:03,736 --> 00:31:08,950
Wow. You must be really up a tree. You'd do that?

189
00:31:10,869 --> 00:31:29,304
Oh. He's taken another girl. And if we don't find him quickly, he's gonna kill her. That's not your only problem, Maggie. He saw you. He knows who you are. He knows you're hunting him. You, who put me away-- his hero.

190
00:31:31,222 --> 00:31:33,224
Where did you take Sandra before you cut her?

191
00:31:33,266 --> 00:31:45,445
[clicks tongue, sighs] Ray, we never found that out. Listen, you need to tell me. Otherwise, the deal is off the table. I took her to my home. We already checked Ricklan's home. There was nothing there. So did you stop anywhere else before that?

192
00:31:46,529 --> 00:31:49,115
After?

193
00:31:49,198 --> 00:31:52,827
Yeah. [chuckles] After.

194
00:31:55,747 --> 00:31:57,916
I was kind to her.

195
00:31:59,459 --> 00:32:05,673
I stayed nearby, waiting for her to be found. Where, Ray?

196
00:32:05,757 --> 00:32:09,844
It was near Cookler Street. Cookler. What was the intersection?

197
00:32:09,928 --> 00:32:12,472
Wesley. Wesley. Yep. Wait. How did you know that?

198
00:32:12,555 --> 00:32:28,196
Because he's using the name Wesley Cookler. And we thought it was a who, and now we know that it's a where. No, whoa, whoa. Maggie, listen to me. You need to be safe out there. I know you don't want to be, but you're part of this story because you're part of my story. I can take care of myself.

199
00:32:32,784 --> 00:32:34,744
All right, all right, all right.

200
00:32:35,703 --> 00:32:59,852
All right, folks, Maggie solved Ricklan's latest riddle. His false name, Wesley Cookler, is a combination of two cross streets in Queens-- apparently, the location they found Sandra Aiden post-attack. OK, typing in those streets, nothing's coming up. That's because both streets were renamed 10 years ago. Cookler Street is now Chester Boulevard, and Wesley is Raleigh. Raleigh. Yeah, OK. There's an abandoned building at that cross street awaiting demolition. All right. Get Maggie and Scola down there now.

201
00:33:32,760 --> 00:33:34,554
Maggie, in here.

202
00:33:36,139 --> 00:33:37,390
Maggie?

203
00:33:39,517 --> 00:33:44,731
There's no sign of Ricklan. He had Melody here. They're gone now. Oh, God.

204
00:33:46,858 --> 00:33:48,359
[whispering] Scola. [whispering] What?

205
00:33:48,443 --> 00:33:49,569
[whispering] He's watching us.

206
00:34:09,714 --> 00:34:43,539
Wow, you found me. Yeah, we did, Daryl. It's over. It's time to return Melody Walton to us now alive. How about this? I'll give her back to you when I'm done with her. I know you admire DiStefano's work. I see what you're doing. No, no, that's not right. I'm finishing the job. And when I'm done, my name will be the only one they remember. That's not gonna happen, Daryl, because I'm gonna make sure that your name is forgotten. Oh, really?

207
00:34:43,623 --> 00:34:46,583
I'll show you who'll be forgotten.

208
00:34:53,466 --> 00:34:58,012
And by the time you find her, I'll be gone.

209
00:34:59,222 --> 00:35:08,481
I don't know what to say, Maggie. He's about to kill her. We have no idea where they are. No, no, no. At least we know that she's alive. I know that was risky, but I got the screenshots. So we have some idea of where they are.

210
00:35:14,028 --> 00:35:24,622
All right, folks, so Daryl Lee Ricklan has Melody Walton, and he intends to kill her. We were not able to trace his location from the video call. But we're digging into Ricklan's past for any clues as to where he might have taken her. And what about the screenshots Maggie sent?

211
00:35:24,705 --> 00:35:25,665
Any leads here?

212
00:35:25,748 --> 00:35:36,050
Yeah, the stones behind Ricklan are this greenish-gray color. It looks like serpentinite, which is a rock unique to Staten Island. OK. So we're close. It's not a big island. Does Ricklan have any connections to Staten island?

213
00:35:36,134 --> 00:35:45,351
Checking. Jubal, the letter, the second one that we found with Laura Flemming, the spaces were in the shape of a cross. Right. Are there any churches made from the stone in that screenshot?

214
00:35:45,434 --> 00:35:47,478
Uh, not finding any.

215
00:35:48,729 --> 00:35:50,189
What if it's not a church?

216
00:35:50,273 --> 00:35:59,740
In the 17th century, crosses were drawn on the doors of people infected with the plague. If it's a clue to his next dumping ground-- The abandoned smallpox hospital in Staten Island. Get the whole team down there right now.

217
00:36:05,705 --> 00:36:13,004
All right, NYPD has got the perimeter. Eyes up and stay quiet. Ricklan could be anywhere. If he hears us, that girl is as good as dead. Copy.

218
00:36:16,591 --> 00:36:24,056
OK, SWAT, you're gonna take the south and west wing. Maggie, Scola, you take the east wing. Good luck.

219
00:36:31,147 --> 00:36:32,398
Let's split up.

220
00:37:00,718 --> 00:37:07,058
Ricklan, drop the knife. Show me your hands now. I got Ricklan!

221
00:37:08,809 --> 00:37:13,439
Her pulse is weak, but she's alive. Get an ambo here now! Copy. Jubal, we need and ambo here.

222
00:37:52,311 --> 00:37:53,521
[whispering] Scola.

223
00:37:58,317 --> 00:37:59,986
Scola, you copy?

224
00:38:03,572 --> 00:38:05,283
Ricklan, come out--

225
00:38:48,492 --> 00:39:12,850
You can scream. Your friend won't hear you. This--this isn't how you get what you want. You don't know anything about me. I know that you want to replace DiStefano. No. I would never do that. What he did was beautiful. He showed me what was possible. But he got caught. You didn't catch me. I led you here.

226
00:39:15,186 --> 00:39:22,902
I'm gonna start with your face. [straining] [yelling]

227
00:39:30,034 --> 00:39:36,374
Suspect down. Jubal, we got Ricklan. [gasping]

228
00:39:37,500 --> 00:39:39,502
You OK?

229
00:40:02,441 --> 00:40:03,776
You catch him?

230
00:40:03,859 --> 00:40:07,905
Yeah. We did. It's over. Good.

231
00:40:09,782 --> 00:40:11,117
You're welcome.

232
00:40:12,868 --> 00:40:14,412
Where's my furlough?

233
00:40:15,496 --> 00:40:17,081
That's why I'm here.

234
00:40:19,542 --> 00:40:21,252
No.

235
00:40:22,711 --> 00:40:38,644
No, no, no, no, no, you wouldn't dare, Maggie. I helped you. You never would have found him without me. I agree. And we were prepared to keep our end of the deal. But it's not possible now. You lied. No, things changed. What changed?

236
00:40:38,727 --> 00:40:40,521
Your father died.

237
00:40:55,369 --> 00:40:56,245
How?

238
00:40:56,328 --> 00:40:59,081
In his sleep, I'm told.

239
00:41:02,334 --> 00:41:03,919
Sorry for your loss.

240
00:41:08,257 --> 00:41:10,134
When?

241
00:41:14,722 --> 00:41:22,062
You knew. Oh, you lying bitch.

242
00:41:23,063 --> 00:41:36,327
You lying bitch! I'm gonna get you, Maggie Bell. Nowhere is safe for you, Maggie! I will find you if it takes a thousand years! Nowhere is safe! I swear to God, I'll get you! I swear it!

243
00:41:39,663 --> 00:41:42,166
Hey. Hey.

244
00:41:44,710 --> 00:41:47,755
Look, about this morning, um...

245
00:41:54,386 --> 00:42:03,187
You're right. I don't-- I don't let people in very easily.

246
00:42:04,438 --> 00:42:09,151
But I-- I wanna try with you.

247
00:42:11,195 --> 00:42:17,201
I wanna tell you about the scar and--

248
00:42:18,661 --> 00:42:21,372
I don't know-- whatever else comes up.

249
00:42:23,832 --> 00:42:26,085
Any chance you're free tonight?

250
00:42:29,338 --> 00:42:34,552
Yeah. I'm headed home now. Why don't you meet me there?

251
00:42:34,635 --> 00:42:36,637
I'll see you soon.

252
00:43:18,053 --> 00:43:19,722
[wolf howls] ic]